These natural cavities were occupied by man in prehistoric times. Later on they were altered and became a fortress and a city in the Middle Ages.
The visit of la Roque St Christophe gives you a clear idea of the lifestyle of our troglodyte ancestors over thousands of years.
Here you will discover the mark that these men left on the rock, as well as a museum of civil engineering machines reconstructed to pay tribute to the great medieval builders.

It has been said that just by choosing to live in this beautiful location Cro Magnon people demonstrated their extreme intelligence. It is a huge cliff shelter directly above the Vezére River. This site has been continuously inhabited since prehistoric times around 15,000 BC. Cro Magnons gave way to iron age Neolithic agriculturists, who gave way to the Gauls, who gave way to the Romans, who gave way to Middle-Ages kingdoms and Norman invaders, up to present times. Because of its constant use there is little evidence of the earliest people of this area. There is no cave art here as there really aren’t any caves, just overhanging cliffs. People lived here! Burials and religious activities must have taken place elsewhere. It appears that daily life took place in one area while death and ritual in another. One exception to this rule is found nearby at Abri Cap Blanc, where the cave art is part of the overhanging cliff rather than deep in the cave. But there was also a burial beneath the carvings.

So why are there paintings deep in the caves? Lascaux would have been extremely difficult to enter. The passages in Font-de-Gaume are extremely narrow. Grotte de Rouffignac is several miles long and was a regular home to hibernating bears. None were easy to access. None of these have evidence of human habitation from the Magdalenian period: worked flint, fire pits, or butchered animal remains. Human habitation for these caves is from the Middle Ages when many of the caves in this region were used as shelters for local people seeking refuge from invaders; these people didn’t even notice the cave art. Because of the remote nature of the art most researchers describe these areas as spiritual or religious worship centers. The description seems to match our modern concept of what religion should look like. The dead are buried near these areas. They are richly decorated, candle-lit shelters. There may even be priestly representations. The “unicorn” in Lascaux appears to be a compilation for several animals but has human hind legs. Could this be a priest wearing animal skins and performing some sort of ritual for the people? If these really were places of worship, based upon the quality of work and space inside the cave, Lascaux appears to have been the “Vatican” and other sites as local shrines. All of this is purely speculation based upon our modern interpretations and limited evidence. At minimum it makes for great stories and brings these people to life as humans much like us.

The original article written by Marty Robertson can be found here

As if the debates described above were not enough, there are a number of theories somewhere on the spectrum from the radical to the ridiculous. Below are some examples of ideas that are not generally accepted by palaeontologists but that do occasionally circulate.

Some studies indicate that Neanderthals may have had considerably longer lifespans than humans. This is not widely accepted, as it is based upon the assumption that rates of maturation in Neanderthals are very similar to those in Homo sapiens. Specifically, ages are calculated according to tooth wear and this is then correlated to maturity of the specimen in terms of height, development, etc. The conclusion is that Neanderthals took longer than sapiens to reach maturity, and thus that their lifespan must have been correspondingly longer. Almost every stage of this line of argument is contentious, and it is highly notable that no Neanderthal remains of individuals with an apparent age greater than around 40 years have been found.

Creationists, naturally, contend that Neanderthals are fully modern humans, often arguing along the lines of Virchow’s discredited theory that the differences between Neanderthals and sapiens are caused by injuries and pathologies. The sheer quantity of Neanderthal remains now known make it difficult to conceive of all individuals suffering the same injuries, and means that palaeontologists universally reject this idea.

Finally, it has been proposed that the related group of neurological disorders that include autism, Asperger’s syndrome, dyslexia and attention deficit hyperactive disorder (ADHD) may be due to the presence of Neanderthal genetic material, rather than mis-functioning genes. Supporters of this theory draw parallels between the symptoms of autism and deduced behaviours of Neanderthals: dispraxia (lack of hand-eye coordination) compared to absence of Neanderthal throwing weapons; seasonal affected disorder (SAD) may indicate Neanderthals hibernated; autistic children typically have a slightly larger brain; and difficulty in learning a language. They also note that autism is more common among people of European descent, who would be expected to have more Neanderthal genes than those of purely African or Asian descent. Opponents point to the circumstantial nature of this evidence, maintain that there are many symptoms of autism that are not explained in this way, and object to the assumptions made (there is no direct evidence to support the idea that Neanderthals hibernated outside of the Neanderthal theory of autism, and Neanderthals may well have had a language).

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1 Homo erectus was another relative of both Homo neanderthalensis and Homo sapiens.
2 With the possible exception of the disputed taxon Homo floriensis, known to the popular media as ‘hobbits’.
3 ‘Hominin’ is the term used for all humans, living and extinct. ‘Hominid’, formerly used for humans, has now been widened to include apes. It is now possible that Neanderthals may have been driven extinct by terminal confusion about their own identity.

Established since July 2004 in the new building designed by architect Jean-Pierre Buffi, the museum houses some 18,000 pieces and a collection of six million objects.“Although the new museum bears witness to the presence of men and women of the 21st century, its modernity manifests itself through its environment, marked by the sheer height of the cliff it is built on and the small size of the historical village of Eyzies-de-Tayac, with its 900 inhabitants and its medieval ruins”, remarks Jean-Pierre Buffi, architect of the Toulouse multimedia library and of the Façade of the Bercy Park in Paris.

The museum’s collections were established as early as 1913, when indefatigable researcher Denis Peyrony convinced the French state to acquire the Château des Eyzies, built at the end of the 16th century, and to transform it into an excavation warehouse that could double up as a museum. These collections have since been tremendously enriched through excavation discoveries at regional sites as well as private donations.

“The museum made a political choice by deciding not to portray the entire history of the Hominids’ development”, explains Jean-Jacques Cleyet-Merle, the museum’s director since 1988. “Instead, the museum describes the Palaeolithic era: the history of the Neanderthals, who vanished 50,000 years ago, and of the Cro-Magnon man, who lived in socially structured groups, buried his dead and made objects that had a symbolic meaning”.

Visitors enter the new museum as though embarking on a trip to the origins of humanity. At the museum’s entrance, the main chapters of the Hominids’ development are evoked through an anthropological frieze and a brief reminder of Africa’s history, starting with the early Australopithecines. Many themes are explored, including the legendary “Lucy”, the small 3.5-million-year-old woman discovered in Ethiopia in 1974. Next, the staircase leading to the permanent exhibit galleries plunges visitors into the mists of time, revealing seven sequences that cover the entire Palaeolithic era through an “idealstratigraphy”.

Upon leaving the“abysses of time”, visitors – equipped with the keys necessary for interpreting the rest of the exhibit – slide into the lower gallery and discover, along a passageway, the various material cultures that succeeded one another from 400,000 to 10,000 BC. This same itinerary also retraces the development of these different cultures: early tools, furniture, and other artefacts. Many themes are presented, such as the lifestyle of Neanderthal populations and the appearance of modern man.

In the upper gallery, visitors are invited to follow an initiatory path from the outside world of mankind’s ancestors to the semi-darkness of the painted caves. Museum-goers can also admire the replicas of prehistoric hearths, of the homes built under shelters and of the places of origin of the objects on display in the rest of the gallery. The reconstructed grave of “L’enfant de la Madeleine” is of particular interest in this section.

Each object – statuettes, jewels, harpoons, lamps, scrapers of all sorts, to name but some of the pieces – has been selected with great care, based on its representativeness and its state of conservation.

Organised by Jean-Jacques Cleyet-Merle, in close partnership with the Scientific Council chaired by Jean-Philippe Rigaud, honorary director of the Institute for Prehistory and Quaternary Geology of Bordeaux, the new National Prehistoric Museum’s scientific programme has been influenced by the establishment’s location at the heart of the prestigious sites and deposits from which its acquired its exceptional collections. In addition to the famous Lascaux Cave and its colourful cave paintings, many listed sites hark back to 400,000 years of human history, from the Font-de-Gaume cave to the Combarelles and Rouffignac caves, as well as the Poisson, Moustier and Micoque shelters.

Artists at the time had a very basic colour palette, consisting of black, ochre and red, which they skilfully used to make colour gradations, creating astoundingly lifelike animal scenes. In the new museum, “the ochre tones, such as the grey of the cast-aluminium roofs, mirror the cliff’s timeless colours”, points out Jean-Pierre Buffi.

In addition to presenting its collections to the general public, conserving humankind’s heritage and supporting archaeological digs, the National Prehistoric Museum also hosts archaeologists, researchers and students from the world over, and collaborates with various foreign institutions.

The abundance of masterpieces, shelters and grottos that dot the entire Vézère Valley, framed by dark and mysterious forests, vineyards and rivers, should not cause visitors to forget that Périgord is also the land of foie gras, duck confit, walnuts, cep mushrooms and the distinct-smelling truffles. Just 20 km away from Eyzies-de-Tayac, Sarlat – a town full of art and history, whose old streets shelter the former home of humanist writer La Boétie – is well worth a visit. One of the favourite visiting places of film directors, this prestigious site regularly hosts special events such as film festivals, theatre games, village celebrations, and much more.

Nestled in the heart of Périgord Noir, Les Eyzies-de-Tayac is sure to captivate you. The entire region, including its soil, beats with the soul of humanity

Paleolithic period or Old Stone Age, the earliest period of human development and the longest phase of mankind’s history. It is approximately coextensive with the Pleistocene geologic epoch, beginning about 2 million years ago and ending in various places between 40,000 and 10,000 years ago, when it was succeeded by the Mesolithic period.

By far the most outstanding feature of the Paleolithic period was the evolution of the human species from an apelike creature, or near human, to true Homo sapiens (see human evolution). This development was exceedingly slow and continued through the three successive divisions of the period, the Lower, Middle, and Upper Paleolithic. The most abundant remains of Paleolithic cultures are a variety of stone tools whose distinct characteristics provide the basis for a system of classification containing several toolmaking traditions or industries.

The Lower Paleolithic Period

The oldest recognizable tools made by members of the family of man are simple stone choppers, such as those discovered at Olduvai Gorge in Tanzania. These tools may have been made over 1 million years ago by Australopithecus, ancestor of modern humans. Fractured stones called eoliths have been considered the earliest tools, but it is impossible to distinguish man-made from naturally produced modifications in such stones. Lower Paleolithic stone industries of the early species of humans called Homo erectus include the Choukoutienian of China and the Clactonian, Chellean-Abbevillian, Acheulian and Levalloisian represented at various sites in Europe, Africa, and Asia, from 100,000 to 500,000 years ago. Stone tools of this period are of the core type, made by chipping the stone to form a cutting edge, or of the flake type, fashioned from fragments struck off a stone. Hand axes were the typical tool of these early hunters and food-gatherers.

The Middle Paleolithic Period

The Middle Paleolithic period includes the Mousterian culture, often associated with Neanderthal man, an early form of humans, living between 100,000 and 40,000 years ago. Neanderthal remains are often found in caves with evidence of the use of fire. Neanderthals were hunters of prehistoric mammals, and their cultural remains, though unearthed chiefly in Europe, have been found also in N Africa, Palestine, and Siberia. Stone tools of this period are of the flake tradition, and bone implements, such as needles, indicate that crudely sewn furs and skins were used as body coverings. Since the dead were painted before burial, a kind of primitive religion may have been practiced.

The Upper Paleolithic Period

In the Upper Paleolithic period Neanderthal man disappears and is replaced by a variety of Homo sapiens such as Cro-Magnon man and Grimaldi man. This, the flowering of the Paleolithic period, saw an astonishing number of human cultures, such as the Aurignacian, Gravettian, Perigordian, Solutrean, and Magdalenian, rise and develop in the Old World. The beginnings of communal hunting and extensive fishing are found here, as is the first conclusive evidence of belief systems centering on magic and the supernatural. Pit houses, the first man-made shelters, were built, sewn clothing was worn, and sculpture and painting originated. Tools were of great variety, including flint and obsidian blades and projectile points. It is probable that the people of the Aurignacian culture migrated to Europe after developing their distinctive culture elsewhere, perhaps in Asia. Their stone tools are finely worked, and they made a typical figure eight-shaped blade. They also used bone, horn, and ivory and made necklaces and other personal ornaments. They carved the so-called Venus figures, ritual statuettes of bone, and made outline drawings on cave walls.

The hunters of the Solutrean phase of the Upper Paleolithic entered Europe from the east and ousted many of their Aurignacian predecessors. The Solutrean wrought extremely fine spearheads, shaped like a laurel leaf. The wild horse was their chief quarry. The Solutrean as well as remnants of the Aurignacian were replaced by the Magdalenian, the final, and perhaps most impressive, phase of the Paleolithic period. Here artifacts reflect a society made up of communities of fishermen and reindeer hunters. Surviving Magdalenian tools, which range from tiny microliths to implements of great length and fineness, indicate an advanced technique. Weapons were highly refined and varied, the atlatl first came into use, and along the southern edge of the ice sheet boats and harpoons were developed. However, the crowning achievement of the Magdalenian was its cave paintings, the culmination of Paleolithic art.

This Middle Ages construction, with its austere appearance, is perched on top of a limestone cliff, dominating the town and the north bank of the Dordogne River.

HISTORY

The castle was built from the 12th century by the barons of Beynac (one of the four baronies of Périgord) to close the valley. The sheer cliff face being sufficient to discourage any assault from that side, the defences were built up on the plateau: double crenellated walls, double moats, one of which was a deepened natural ravine, double barbican.

The oldest part of the castle is a large, square-shaped, Romanesque keep with vertical sides and few openings, held together with attached watch towers and equipped with a narrow spiral staircase terminating on a crenellated terrace. To one side, a residence of the same period is attached; it was remodelled and enlarged in the 16th and 17th centuries. On the other side is a partly 14th century residence side-by-side with a courtyard and a square plan staircase serving the 17th century apartments. The apartments have kept their woodwork and a painted ceiling from the 17th century. The Salle des États (States’ Hall) has a Renaissance sculptured fireplace and leads into a small oratory entirely covered with 15th century frescoes, included a Pietà, a Saint Christopher, and a Last Supper in which Saint Martial (first bishop of Limoges) is the maître d’hôtel.

At the time of the Hundred Years’ War, the fortress at Beynac was in French hands. The Dordogne was the border between France and England. Not far away, on the opposite bank of the river, the Château de Castelnau was held by the English. The Dordogne region was the theatre of numerous struggles for influence, rivalries and occasionally battles between the English and French supporters. However, the castles fell more often through ruse and intrigue rather than by direct assault, because the armies needed to take these castles were extremely costly: only the richest nobles and kings could procure them.

The castle was bought in 1962 by Lucien Grosso who has lovingly restored it.

Visitors to the castle can see sumptuous tapestries showing hunting and other scenes from the lives of the lords of the period. The Château de Beynac has been listed as a monument historique by the French Ministry of Culture since 1944.

Beynac castle has served as a location for several films, including Les Visiteurs by Jean-Marie Poiré, in 1993, La Fille de d’Artagnan by Bertrand Tavernier, in 1994, Ever After by Andy Tennant, in 1998, and Jeanne d’Arc by Luc Besson, in 1999. The village of Beynac below the chateau, also served as a location for the film Chocolat by Lasse Hallström, in 2000.

Barons de Beynac

• Maynard (1115-1124)
• Adhémar (1147-1189)
• Richard Cœur de Lion, king of England (1189-1199)
• Pons I (1200-1209)
• Gaillard (1238-1272)
• Pons II (1251-1300)
• Adhémar II (1269-1348)
• Pons III (-1346)
• Boson, known as Pons (1341-1348)
• Pons IV (1362-1366)
• Philippe (-1403)
• Pons V (1461-1463)
• Jean-Bertrand (-1485)
• Geoffroy I (-1530)
• François (-1537)
• Geoffroy II (-1546)
• Geoffroy III
• Guy I (1643-)
• Isaac
• Guy II
• Pierre
• Marie-Claude (1732-18??)
• Christophe-Marie (1764-18??)
• Louis, dit Ludovic (1784-18??)
• Christophe-Amable-Victoire (1831-18??)
• Soffrey-Paul-Louis-Armand (1857-19??)
• Amable-Avit-Christophe (1895-)
• Pierre-Aimé-Soffrey-Armand (1929-)

For more and updated info on Ferme de Tayac please visit their official web site www.fermedetayac.com

In the early 12th century 6 Monks from the Monastery of Paunat were travelling between Monasteries when one of the Monks became very ill, they set up camp in Tayac near a water source. The monk was dieing, but miraculously healed after drinking the water from the “Tayac Source”. To the Monks of Paunat this was a “Sign” and round about 1123 they started building the magnificent and fortified church of Tayac, they called it “St Martin”. At the same time, the Monks of Paunat started working the land in this lush Vezere valley, they built the farmhouse / monastery, which is now “Ferme de Tayac” that has been completely renovated, and is now a lovely B&B opposite the church. For hundreds of years the Monks lived here and worked the lands, bit by bit houses were built against the rock. The water from the “Tayac Source” was taken to other surrounding Monasteries, for it’s healing powers, Tayac was thriving. Two centuries later, things took a turn, wars were breaking out, armies were constantly attacking areas and strongholds. Religion and all that went with it lost it’s power, and very slowly the life in and around Tayac became what it is today. St. Martin still stands proud, and is without doubt the nicest Fortified Church in the Perigord, the “Tayac Source” is still there, although no longer in use.

For more and updated info on Ferme de Tayac please visit their official web site http://www.fermedetayac.com/
In the early 12th century 6 Monks from the Monastery of Paunat were travelling between Monasteries when one of the Monks became very ill, they set up camp in Tayac near a water source. The monk was dieing, but miraculously healed after drinking the water from the “Tayac Source”. To the Monks of Paunat this was a “Sign” and round about 1123 they started building the magnificent and fortified church of Tayac, they called it “St Martin”. At the same time, the Monks of Paunat started working the land in this lush Vezere valley, they built the farmhouse / monastery, which is now “Ferme de Tayac” that has been completely renovated, and is now a lovely B&B opposite the church. For hundreds of years the Monks lived here and worked the lands, bit by bit houses were built against the rock. The water from the “Tayac Source” was taken to other surrounding Monasteries, for it’s healing powers, Tayac was thriving. Two centuries later, things took a turn, wars were breaking out, armies were constantly attacking areas and strongholds. Religion and all that went with it lost it’s power, and very slowly the life in and around Tayac became what it is today. St. Martin still stands proud, and is without doubt the nicest Fortified Church in the Perigord, the “Tayac Source” is still there, although no longer in use.

Perched with hillside on left bank of the Dordogne, Castelnaud dominates the small borough coiled with its feet. Its former owners, vassal of kings of England, opposed a long time to their neighbors, the lords de Beynac, faithful to kings de France. If the protagonists of these remote quarrels have all disappeared, the two fortresses always continue their immutable face to face, like a mineral challenge with the lapse of memory and the ravages of time.

History

English Castelnaud After the Treaty of Paris, signed in 1259 by Saint Louis and Henry III, which put an end to the dispute between the Capetians and the Plantagenets, the Perigord was restored to the English. Castelnaud thus fell under English rule. In 1273 the castle reverted back to the legitimate feudal line, that of the Castelnauds, who gave tribute to the Count of Perigord, vassal of the king of France.The power of a FortressFor Castelnaud, the end of the 13th century heralded in a period of prosperity and relative calm. The castle established itself as one of the principle powers of the Perigord. The barons of Beynac during this epoch were semi-permanently in conflict with the lords of Castelnaud. Continuously the two rival houses contested control of the region, trailing after them a section of the Perigord nobility divided by the two camps. The two castles watched and spied on each other. Never, however, did an open battle occur. In 1317 the Pope himself intervened to prevent the worst from happening; Jean XXII authorized a marriage between the two families to try and put an end to the endemic conflict. This context of private feud, so common in the Middle Ages, was soon relegated to a position of secondary importance: in 1337 the Hundred Years’ War broke out.

The Hundred Years’ War

The first few decades of the war were favorable to the English. In 1346 at Crecy, the cream of French nobility was decimated by English archers. In 1356, King John the Good was taken prisoner at Poitiers. The Treaty of Bretigny-Calais freed the king but ceded Aquitaine to the English, which was from then on ruled by the formidable Black Prince.In 1368, Magne de Castelnaud, sole heiress of Castelnaud, married Nompar de Caumont. This was a major event for Castelnaud, as the Caumonts would subsequently continue to be proprietors of the castle until the Revolution. During the War, the Caumonts were often in the English camp. Henry IV, King of England, named Nompar de Caumont his seneschal for Agen.

State of SiegeIn 1442, tired of the English hold on Castelnaud, the King of France ordered the town put under siege. The siege lasted three weeks. The English commander ended it by giving the keys to the castle and 400 crowns for his life. Thus the English were finally driven from Castelnaud. They left French soil after the battle of Castillon (1452) which marked the end of the Hundred Year’s War.

Pleasure Residence After a century black with wars, epidemics and hardships, a great period of prosperity unfolded for Castelnaud.
The castle’s reconstruction was begun by Brandelis de Caumont and followed by his son François and his grandson Charles. The old 13th century fortress took on a look that conformed more to the style of the times. François de Caumont, besides enlarging Castelnaud, built a pleasant Renaissance-style manor not far from Castelnaud: Milandes Castle.
Castelnaud, which no longer had a strategic purpose, became a pleasure residence. It was fortified because of its prestigious function as the center of power of the domain.
The imposing artillery tower, built around 1520, had no function other than that of a symbol of power.

The Huguenot Captain

A new chapter in the history of Castelnaud opened with the Huguenot Captain Geoffroy de Vivans. Soldier, companion of the future Henry IV, his life was punctuated by audacious actions which earned him a great reputation in the country. Geoffroy the warrior was feared throughout the Perigord, a reputation which assured that Castelnaud was never disturbed during the Wars of Religion.

Ruins and renaissanceBetween the exploits of Captain Vivans and the 20th century, the castle did not live through any other remarkable events. The Caumont lords preferred Milandes first, then their castle of the Force near Bergerac. The condition of Castelnaud continued to deteriorate until it was completely abandoned. After the Revolution the deterioration accelerated. Soon the castle served as no more than a stone quarry.1969 / 1998 : The Renaissance of CastelnaudIn 1966, Castelnaud Castle was classed as an Historic Monument. Since then, it has undergone two periods of extensive restoration: between 1974-1980 and from 1996-1998. Certain parts of the castle which had collapsed were reconstructed, other parts were only consolidated due to the lack of information regarding their original state.

Discovered in 1901 by D. Peyrony, the Cave, 130 m long, contains about 250 paintings. The visitor can only see 30 of them, the most beautiful ones and the best preserved. After 60 m underground, the “Rubicon” is the beginning of the decorated part of the cave, with red dots on the left wall. These caves were not used as dwellings, they were shrines, according to A. Leroi-Gourhan The Grotte de Font-de-Gaume is famous for its cave paintings from the Magdalénien period. It is entrance is 20 m above the valley floor of the Beune valley, at the lower edege of a huge limestone rock.

There are many polychrome paintings and some engravings. The 240 figures show 80 bisons, which are the dominant motive. Most other pictures are also animals, 40 mammoths, 23 horses, 17 reindeers and deer, eight primitive cow, four goats, a wolf, a bear, and two rhinoceroses. More interesting, but less frequent, are four hand outlines and 19 geometric figures.

The cave was first settled by Stone Age people during the last Ice Age – about 25,000 BC – when the Dordogne was the domain of roaming bison, reindeer and mammoths. The cave mouth is no more than a fissure concealed by rocks and trees above a small lush valley, while inside, it’s a narrow twisting passage of irregular height in which you quickly lose your bearings in the dark. The first painting you see is a frieze of bison, at about eye level: reddish-brown in colour, massive, full of movement, and very far from the primitive representations you might expect. Further on a horse stands with one hoof slightly raised, resting. But the most miraculous of all is a frieze of five bison discovered in 1966 during cleaning operations. The colour, remarkably sharp and vivid, is preserved by a protective layer of calcite. Shading under the belly and down the thighs is used to give three-dimensionality with a sophistication that seems utterly modern. Another panel consists of superimposed drawings, a fairly common phenomenon in cave painting, sometimes the result of work by successive generations, but here an obviously deliberate technique. A reindeer in the foreground shares legs with a large bison behind to indicate perspective.

Location: Les Eyzies-de-Tayac. 1km from the centre of Eyzies on the left side of the Beune valley.

Open:

MAR Thu-Tue 9:30-12 + 14-17:30,
APR-SEP Thu-Tue 9-12 + 14-18,
OCT Thu-Tue 9:30-12 + 14-17:30,
NOV-FEB Thu-Tue 10-12 + 14-17.
Closed 01-JAN, 01-NOV, 11-NOV, 25-DEC.

Dimension: Length = 400m. Guided tours : every 40min. Only 200 visitors per day, reservation necessary! Address : Grotte de Font-de-Gaume, BP 7, 24620 Les Eyzies-de-Tayac, Tel: +33-553068600, Fax: +33-553352618

Built under the escarpments, this refuge juts out from the rock into which it has been dug and conceals huge rock shelters that have witnessed some interesting events of our civilisation for more than 20,000 years.

Vastly larger than one could imagine from the outside, the façade conceals some impressive underground and overhead rooms, such as the great main hall, the armory, dining hall, living quarters, kitchen, bedrooms, chapel, prison cell, dungeon, wine cellar.

In addition to its natural protection, this fortification exhibits many elements of defence : bretèche, murder-hole, cannons, loopholes.
A source of great historical interest, it served for the past 50 years for purposes of scientific and archaeological research. You will be the first to visit this site which has been jealously closed to the public until now.
This showcase of our heritage presents some genuine artefacts from prehistoric times discovered on the premises.

Opening Dates and Times
Open every day from 1st March to 11 November
March, April, October, mi-November : 10am to 6pm
May, June, September : 10am to 7pm
July, August : 10am to 8pm

La Maison Forte de Reignac

24620 Tursac
Tél. 05 53 50 70 45 – Fax 05 53 51 03 21
www.maison-forte-reignac.com
info@maison-forte-reignac.com

The village is still partly surrounded by its original fortified walls, and is another of the ‘picture postcard pretty’ villages of the Dordogne, with cobbled streets winding between honey-coloured houses and pretty gardens.

Despite its picturesque location it is not usually completely overrun with tourists in the way that some places are, and the Parc Limeuil at the top of the town, while not spectacular as a park, has some fine views and is usually quiet.

A very pleasant place to escape the crowds.

A short stroll around the village gives a taste of the diversity on offer; at the foot of the two magnificent bridges, built in 1891, a sandy beach leads down into the clear water. A little further along, the 15th century port entrance which leads up to an extremely steep street is carved with the water levels reached during the great floods.
Getting to the top of the village is hard, but rewarding, work – take the time to study the medieval architecture on the way up. At the Place des Fossés, the château gardens provide a wonderful view over the river confluence, the rooftops and terraced gardens. The black Virgin Mary in St Catherine’s Church was the patron saint of the river traders.

The visitor can go from the blacksmith, to the glass-blower. Limeuil enjoys many sporting activities including canoeing, horse riding and mountain-biking. The holiday-maker will find plenty of welcoming hotels, restaurants and campsites.

Evidence of the period when Aquitaine was English can be found on the Bugue road leading out of the village: St Martin’s Chapel was built in 1194 to expiate the murder of the Archbishop of Canterbury, St Thomas à Becket

A Brief History

The site of Limeuil has been lived on since prehistoric times (various artefacts dating from approximately 10,000 BC have been found). Limeuil, listed as « One of the Most Beautiful Villages of France », is essentially a medieval village as the three fortified gateways and ruins of the castle and ramparts testify.

What to See

On the edge of the village is a museum garden where different plants and methods of cultivation take the visitor a journey through time from the Stone Age to the Renaissance period.
The natural beauty spot formed by the bend in the river offers a superb view

Ferme de Fonluc is situated in the heart of the Vezere Valley in Tayac, just 10 minutes walk from Les Eyzies de Tayac. We have the Vezere river running through our land, and stunning views of the Limestone rock faces riddled with Prehistoric dwellings. All this makes it an ideal location to spend unforgettable vacations in one of our two wonderful gîtes!

Fonluc offers the best and most unique horse riding experience in the Dordogne and Vezere Valley

Horse riding in the Dordogne is an absolute unique experience, nowhere else in the world can you visibly travel through more than 250000 years of history, from neanderthal dwellings, through Cro-Magnon settlements to Medieval towns and villages, all within a day. The Vezere valley in the hart of the Perigord Noir is with its more than 250 UNESCO sites of interest the undisputed Prehistoric Capital of the World. Most of these sites are only accessible on foot or horseback. Vezere Valley, Lascaux, La Madeleine, Commarque, Font de Gaume, these are just a very small list of the treasures on our doorstep.
Ferme de Fonluc guarantees you horse riding trips and multi day treks that you will never forget, you will get to see the real Dordogne, and see places in the Prehistoric Capital of the World that tourists never get to see.

The Discovery of the Cro Magnon in Les Eyzies.

During construction for a railroad in 1868, a rock shelter in a limestone cliff was uncovered. Near the back of the shelter, an occupation floor was recognized, and when excavated, it revealed the remains of four adult skeletons, one infant, and some fragmentary bones. The condition and placement of ornaments, including pieces of shell and animal tooth in what appears to have been pendants or necklaces, led the researchers to think that the skeletons were intentionally buried in a single grave in the shelter.

Cro-Magnon 1 preserved the skeleton of an adult male. The individual was probably middle-aged (less than 50 years old) at his death on the basis of the pattern of closure of cranial sutures. The bones in his face are noticeably pitted (see top photograph) from a fungal infection. The skull was complete except for the teeth, which are reconstructed in the cast photographed here.

While the Cro-Magnon remains are representative of the earliest anatomically modern human beings to appear in western Europe, this population was not the earliest anatomically modern humans to evolve. The skull of Cro-Magnon 1 does, however, show the traits that are unique to modern humans, including the high rounded cranial vault with a near vertical forehead. The orbits are no longer topped by a large browridge. There is no prominent prognathism of the face.

Analysis of the pathology of the skeletons found at the Les Eyzies rock shelter indicates that the humans of this time period led a physically tough life. In addition to the infection noted above, several of the individuals found at the shelter had fused vertebrae in their necks indicating traumatic injury, and the adult female found at the shelter had survived for some time with a skull fracture. The survival of the individuals with such ailments is indicative of community support of individuals, which allowed them to convalesce.

Associated tools and fragments of fossil animal bone date the site to the uppermost Pleistocene, probably between 32,000 and 30,000 years old.

Although it has one of the largest medieval urban areas (13th to 16th centuries) in the world, Sarlat cannot claim a very distant past. The initial Sarlat abbey was most probably founded between 820 and 840 AD by Duke Pepin of Aquitaine. Saint Bernard stopped off in Sarlat in 1147 during his journey through the South of France to spread the gospel to the many Cathars. The plague was predominant at the time. He gave the sick consecrated bread to eat and healed them. This event, this miracle even was commemorated by the building of the strange graveyard lantern which, still today, remains one of the towns symbols.

Lost in the heart of the distant Périgord, Sarlat could have sunk into oblivion if it was not for the Malraux Act of 4th August 1962. Perhaps the minister of culture (Andre Malraux) recalled having taken to the macquis (The name given to some French Resistance groups during World War Two) in the heart of the Sarlat woodlands, when he signed the act of renovation and restoration. The works carried out from 1964 onward have revealed a veritable treasure trove of Medieval and Renaissance art to the public. Tourists and film directors then took charge of bringing this corner of the Earth “which is the closest things to heaven” according to Henry Miller, to the attention of the whole world. The 1978 film version of “Les Miserable” was filmed extensively in Sarlat, but also in nearby Domme, with the stunning Beynac Castle standing in for the famous Toulon Jail. Sarlat’s wonderful architecture and medieval style buildings and stone roofs have made a backdrop for a score of other top motion pictures since, which has added to it’s fame an it’s fortune.

A warren of alleyways, virtually unchanged since the middle ages, lined with warm ochre stone houses, each with its own distinctive facade and ornately sculptured window embrasures, set off by the stone roofs and turrets, make Sarlat a must for any tourist visiting the Dordogne. Sarlat’s Saturday market is excellent, teaming with life, an unforgetable experience from the street artists that throng there, to the wonderful fresh local produce. Sarlat comes to life in summer with its Drama Festival and Film Festival as well as non-stop street shows in the old quarter. Sarlat is an artists paradise with many small galeries including the famous “Herdin”, student of Salvador Dali. Out of season there is also a well packed programme of cultural events, concerts, drama, films (often in the original language), a visit at Christmas is like stepping into a Fairy Tale, with piped christmas carols and Santas scaling buildings everywhere, there truly is something for everyone.

Sarlat Tourist Office

3 Rue Tourny – BP 114
F-24203 Sarlat Cedex

Tél. 33 (0) 5.53.31.45.45
Fax. 33 (0) 5.53.59.19.44
Web http://www.-sarlat-tourisme.com
Email info@sarlat-tourisme.com

⇒To contact the services (direct phone line and e-mail)
General information – 33 (0) 5 53 31 45 45 – info
Holiday rentals booking service – 33 (0) 5 53 31 45 40 – locations
Individual packages booking service – 33 (0) 5 53 31 45 43 – sejoursindividuels
Group packages (seminars..) booking service – 33 (0) 5 53 31 45 42 – sejoursgroupes
Guided tours of the Medieval city ,conferences – 33 (0) 5 53 31 45 42 – visitesguidees
Walking paths – 33 (0) 5 53 31 45 45 – rando